▲More like the late MT performances this album wanted to capture live energy mixed with various use of software, extensive use of guitar, sound alteration, compression, saturation, punchy bass and dynamics provided by long time cool edit pro use & recent live events
10th year later this digital edition comes after the original release in january 2006 as dsxcd666-15
♪♪►this album creates breakcore with hardcore, harsh noise elements, death metal and punk auto sampling plus the kick of the most destroyed music birthed includes in track3 large soundscapes with an electric guitar and slow burning tension
caution do not play on mono device (besides this disc is safe in this auto mastered version it doesn t allow the Volume Unit to go wild or to hijack your volume control, so listen loud or don 't)
This master is locked at -1.33dBVU (volume unit) and never goes over 0.00 dBFS (full scale) this disc doesn t dither and do not and sound quality recording even for this heavy compressed death metal discs, we don t hijack your control knob and in the final save your hears, strange insn t it
▲♪a note on the music (album credits) : after a series of MT live tour where not many people stay in front of the location sound system bgecause of the stroboscope at 220 bpm and the infinity loops of gtrs additioned with blast beats terror, that was the exercice of the destroy last M efforts to fuck shit up with old gabber/hardcore pushing up with gtr samples played vs real guitar and vox and destroyed samples from the past including MV Noizetek experience & MT standalone crazy CD at that time between gabber/HC maniac gtr effects and screaming (it was so impressive that many 'dates' where cancel from the organizers for alcool and / or drug use - in the final MT goes into alen ginsberg/kerouac/burroughs zen trip and came back with yoko ono & lenon tribute who can t harm even a fly, baby seem to sleep well according to some reaction we have - it stil fun that some people think it s so fantastic -e end up the artistic chase by armed forces from the wood that always came when the hits of sunshine let a yellow print on the photographic 35mm films anyway we survive we pass the torch even if some deny the spark even exist
▼so after be on my knees after 45min larsenninbg my gtr in infinity loops and gtr loops with double delay i insisted on captured what cannot or hasn t been done when live events happens goego to studio three day and recreate this crazy ambience of speeding up tapes , cheat the rules of hardcore/gabber geeks and fuck shit up that was nice the public and myself was rather happy of the result (even ▲JL Costes so that s quite a surprise (he appears in track 4)) the heavy intoxication of the live events kind of transpirate throught this partticular recording with yellow cardboard (and for finishing the story we were about ceisingthe tapes to the cops which we didn t on the last seconds, it might never go out !))thanks thta s all
thanks friends & families yeah you know who you are, the fuckers too i guess so fuck you if you don t like (it s not the last disco tube on fashion to jump around it still stylistic outta time since so long)
credits
released January 6, 2006
☻recorded and (re)mixed in october 2004 and december 2004
▲at the death666 studios by mat s trip with numeric equipment
►all the material aénd music created by mat except system equal fucked in the head that countains traces of pro+kardia (published by death soundscapes and written by mvnoizetek and also sample frol jl ▲costes (courtesy eretic art & himself)) and hidden track/track4 that countains samples material from 'venez les flics' & 'un juge dans la tete' written by jl costes (courtesy of eretic art and himself) costes : vox in hidden track/Track4
▲☻mat s trip is responsible of various sound alterations, EQ settings, compressions, FTP filters, different sound textures, distorsion and compression effects, different sound treatments, ►additional noise field recording, main samples in the construction (published by death soundscapes, coming from D-Stroy samples & songs from the past, written by mt) electric guitars, pushing record, speed mixing, assembling and mastering
▲with help from SKLPL in the very first part of the track who did electronic, electric gtr and sampling
▲thanks♪♫♪♫♫►▬
►endorsements : cubase vst, cubase se, cool edit pro multitrack, cool edit pro toolbox compression and filters and much more, samson q3 microphones, shure microphones, ernie balls chords, fender nylon chords, fender guitar, BOSS electronic , DOD electronics, Ibanez electronics, Berhinger outboard fx, dynamics and sound ▲reshearch and final assembling december 2005 at death666records ♪♫
♪♪♫Compact Disc printed on yellow cardboard and burned onto red surface special compact disc ▬
license
Some rights reserved. Please refer to individual track pages for license info.
Xcellent sequel to the HC/DHR maniacs from the 00's, D Trash embraces all the 8-bits to 24-bits riots with menace , violence and all the derivated style from electronic agenda DEATH666RECORDS
Be defiant, try to encapsule the sequel of MV in their eclectic/electric agenda thru rock noise, composition, HC hiatus/breakdown, some digital process &a love for instrument +rec, outtakes remains DEATH666RECORDS
These tracks may have been written in a cabin in Lake Tahoe (for real!) but they sound like they could score a rave at the end of the world. Bandcamp New & Notable Oct 22, 2022
